Biutiful (2010)

Leave it to Iñárritu (21 Grams; Babel) to deliver yet another gut-wrenching drama. This time we're in Barcelona peering into the life of a man having difficulties financially, relationally, physically - and yet, moments of lightness (very few of them) give us a reason to believe that even at the lowest moments in life, we can shine.

50/50 (2011)

A comedy about facing cancer. Sure, that works, plus it's not all funny. Reminded me of the theme from Douglas Coupland's Life After God - this is the first generation (well, we are into the second by now I'm sure...) that grew up without a Christian notion of God. Without that grander meaning of life and purpose, individuals are forced to face questions of mortality alone and without context.

It's Kind of a Funny Story (2010)

A teen checks himself into the psych ward at a local hospital due to depression (girl and family problems). He is placed in the adult ward since the youth one is under renovation. There, he encounters real mental patients and gains a healthier perspective on life.

The film is worth watching just for the dream sequence / music video of Queen's Under Pressure. But it's also a really enjoyable and touching film.

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Bobby Fischer Against the World (2011)

Chess legend Bobby Fischer's rise to the game's crest is tragically undergirded by his own unaddressed mental illness. This documentary juxtaposes Fischer's fame with his perceived antagonism by his handlers, the chess establishment, and ultimately by his own country.

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Saint Ralph (2004)

Not a great movie - I wanted to see it since it was about a marathoner (albeit fictional) and it's Canadian - how bad could it be? It is quite contrived, poorly acted, but not without some charms.

Ralph is in high school and his mother is dying. He wants a miracle, so he prays to the saints, decides he needs to work on his faith and decides he'll win the Boston Marathon... And there are a few laughs too.

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A Dangerous Method (2011)

A peek into the lives of 19th century psychologists Carl Jung and Sigmund Freud through the lens of one of their patients. The film centres on Jung's desire for professionalism and moral integrity as it is challenged by a masochistic patient who occasionally has psychotic episodes.

The film is a product of Canadian director David Cronenberg whose previous work also focuses on the the mentally disturbed or abnormal. This one seems more grounded in reality and easier to follow than say, Naked Lunch. I'm not sure I agree with his bent on pushing for us to follow our passion so that we can be released (it seems he leaned much more on Freud's side of the debate in the film).

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The Way Back (2010)

I often fear that film interpretations of fact based epics will default towards the emotional rather than take pains to help the viewer enter the pain of the protagonist. The Way Back tackles the incredible trek of gulag escapees from the Soviet north down into northern India. It becomes clear that while they can not spend time on each of the characters, they do not default to a soft retelling. The harsh realities are depicted unfettered by too much orchestral dazzle.

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Wisconsin Death Trip (1999)

The narration is readings from late 19th century newspaper articles from Wisconsin's frontier. The stories are acted out on black and white film. That's it.

The title gives away the common thread of the various articles.

It's a fascinating film in that it shocks any kind of romance out of the settler/homesteading era. The madness, lack of social recourse, and ignorance in these remote locations is saddening, if not a quite upsetting.

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Doctor Zhivago (1965)

This is the first time watching Doctor Zhivago and what surprised me (and pleased me) the most was the genuinely flawed nature of the characters. While I despised some characters, they held my sympathy and while I loved other characters, I hated some of their decisions. Its tragedy and epic portrayal of the Russian revolution bring the film to an even greater height. It won't be the last time I watch it!

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The Descendants (2011)

Alexander Payne (About Schmidt, Sideways) walks us through letting go and hanging on at the same time. The Descendants  is fresh and old at the same time, an unromantic look at some upper crust folks in Hawaii.

George Clooney plays a lawyer, father to two daughters, husband to a wife in a coma, and heir to family land - and he does so comically and pathetically. What I discovered thinking about this movie afterwards is that his character has quite a bit of moral strength that was simply disengaged - this narrative shows him putting everything into gear, testing his fabric.

I quite enjoyed it.

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Edvard Munch (1974)

A great skill was used to develop the film I just watched. It paints the portrait of celebrated and groundbreaking 19th century Norwegian artist Edvard Munch - famous for "The Scream." For three hours and forty minutes we survey scenes from Munch's life filmed as though it were a documentary where the characters are aware of the camera. Some characters are interviewed. Munch's diary is read as it was written, in the third person. And a narrator pronounces the chronology.

Beginning in a Protestant Christian home as a part of the middle class in Norway's capital city, Munch is surrounded by death, illness, and a social order that extorts and mistreats the lowest classes and their children. After losing his mother, he emerges into manhood and begins his rebellion with a group of bohemians who challenge every aspect of their culture. It is here that conflict arises between he and his father, but more strikingly it is where the great theme of his life's work begins: the threads that bond men and women together.

The series of failed relationships cast the learning and altogether rejected artist into a class all his own. He depicts the world in swirling colours, faces with pale and sickly complexions, and fades the sensory organs of his subjects where they meet their lovers.

Edvard Munch gains enormous popularity during his life while being lambasted by nearly all art critics across Europe. Pressing through all of this, Munch advances his new art form: visual psychology.

This is a masterpiece, unlike anything I have ever seen.

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127 Hours (2010)

Danny Boyle and James Franco tell the gutwrenching tale of an outdoorsman who is trapped with no prospect of rescue in the remote wilds of Utah. It is a formidable film and the final sequences are stellar!

The film lovingly captures the sacredness of life.

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It's All Gone Pete Tong (2004)

This biopic of legendary DJ Frankie Wilde is wacky and colourful - like it's subject. Thematic elements about this self-indulgent star only serve to contrast his transformation after he goes deaf and is resurrected by the honest love of a caring woman. It's kind of a disturbing start to what becomes a glorious finish.

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Love and Other Drugs (2010)

This is a sappy and rather unfulfilling story of humility and being less self-interested. In a society that prides itself on questionable principles like independence and self-satisfaction, this film at least pokes some holes into those straw men.

A pharmaceutical rep keen to make gobs of money meets a beautiful sex-addict and while the two promise not to become emotionally attached, the inevitable happens. The screwdriver thrown into the romance is her Parkinson's Disease. Will she be able to allow him to help her? Will be be willing to throw away his lucrative career to care for her? So many predictable answers!!

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American Flyers (1985)

Pure cheddar! And the American patriotism drips off of it like butter on corn. Pretty hilarious to watch. Two brothers attempt a gruelling cycling race in Colorado, one of them hiding a bad illness. They've both got sexy girlfriends and there are 2 villains - a former racing partner and the Russian competitor - scary!

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Amores perros (2000)

Alejandro González Iñárritu rose to fame as the director of this gritty romance drama. The title means "dog love" which fits very well as the characters throw themselves at their affections with doglike fidelity, and perhaps less than doglike intelligence.

Three stories weave together at the site of a car accident and are joined also by the prominent position the canines take in each protagonists life. It's a dark film and the love is disturbed and twisted, but it's love nonetheless.

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The Informers (2008)

The writer of American Psycho presents another morose view of humanity and American culture on the west coast. It's the mid 1980s when drugs had grown up, music was synthesized, and AIDS was detected.

Some rich, spoiled kids stir it up in their broken families while demonstrating horrific disaffection towards any painful experience. There's lots of sex, lots of treachery, and lots of brokenness giving way for any rejoicing at the least emotional reality.

The film is well-made, its the sentiment that is hard to watch. I did have a hard time sorting out the dozen young men who make up the younger generation cast.

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Ce qu'il faut pour vivre (2008)

The Necessities of Life is a gorgeous film, deeply rooted in goodness. It tells the story of Tivii, an Inuit man who is taken from his family on Baffin Island to have his tuberculosis treated in Quebec City. His language and absent knowledge of this new world isolate him from everyone else in the sanitarium, but the kindness and attention from a nurse give him hope.

The depiction of aboriginal people is not overly romanticized. Instead they are treated as humans with dignity and gifts. Also of note is how the Quebecois are depicted: not perfect, but not as native hating villains either. A wonderfully balanced film making the story that much more beautiful and telling of the human condition.

The protagonist is extraordinarily played by Natar Ungalaaq of Atanarjuat: The Fast Runner fame.

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Så som i himmelen (2004)

This Swedish film, As it is in Heaven, is one of the most beautiful stories of restoration and sacrifice I have ever been told.

A famous classical musician returns to his boyhood home when his health diminishes. Though he seeks solitude and an opportunity to enjoy the natural world, he is seduced into leading the local tiny church choir. As the choir develops, the town is changed.

The final seconds of the film are perhaps the most poignant and subtle moments of any film. I loved it! I shouldn't have lost the Academy Award to The Sea Inside.

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Il y a longtemps que je t'aime (2008)

I've Loved You So Long is a gorgeous film from France. It tackles some difficult issues, but very graciously and from a character's perspective.

A younger sister, Léa, invites her older sister, Juliette, to live with her and her family when she is released from prison after a long sentence. Juliette is not easy to love and behaves selfishly, but Léa persists.

Special credit goes to Kristin Scott Thomas who holds her own in this French speaking role and who evokes complex sympathy.

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