Showing posts with label Late 60s. Show all posts
Showing posts with label Late 60s. Show all posts

4.30.2012

Doctor Zhivago (1965)

This is the first time watching Doctor Zhivago and what surprised me (and pleased me) the most was the genuinely flawed nature of the characters. While I despised some characters, they held my sympathy and while I loved other characters, I hated some of their decisions. Its tragedy and epic portrayal of the Russian revolution bring the film to an even greater height. It won't be the last time I watch it!

IMDB

2.20.2011

How the Grinch Stole Christmas! (1966)

A glorious classic! My favourite part is when the Grinch's dog is hanging over the cliff. In fact the dog is my favourite character.


True worship, true love, true community can transform even the greediest people.

IMDB

7.10.2009

Kedamono no ken (1965)

This is a 60's rebel film from Japan translated Sword of the Beast. With the United States going through its own revolution, Japan was still in the midst of reconstruction and deciding what should be kept and what part of culture would be better left behind. The clan structure is under attack in this film as well as a very traditional understanding of honour.


Gennosuke is on the run after having murdered a clan leader. A small group chases him into the mountains seeking revenge. He finds several downtrodden people on his journey and discovers an alternative to being lorded over and honour in doing so. 

The black and white film is shot in a very alluring way as it blends full scope shots with expressive face shots (comparable to todays japanime I suppose). The acting is convincing too.

1.19.2009

The Spy Who Came in from the Cold (1965)

This is a stark black and white film with an even bleaker ending. John Le Carré wrote the book the film is based on. 


Leamas, a British spy, gets his last field assignment to go after an East German counter-intelligence spy. The film routinely stays one step ahead of the viewer, but after watching many films which were no doubt influenced by this one, we can make some decent predictions.

12.31.2008

Who's that Knocking at my Door (1967)

An early movie for both star Harvey Keitel and director Martin Scorsese. We are immersed in a New York Italian borough where J.R. is surrounded by violent young chauvinists and appears to try and break out of this mold by trying to connect with the wild outdoors and by dating an outsider and rather cultured woman. The acting in the film is striking; so much so that we are unsure if the people are real life characters or tremendous actors. There is a particularly tense scene that is a tremendous build up to the shocking conclusion which speaks much of the paternalistic society we still live in today. Parts of the film do drag on and some of the dialogue is muffled, but I think they are essential to understanding the characters. 

IMDB

7.17.2008

Midnight Cowboy (1969)

This film takes us on a journey into the heart of man and a discovery of the things that dwell there.


When a lonely and naïve Texas stud moves to New York City looking for work satisfying the ladies, he is unravelled and finds himself broke and friendless - except for Ratso a fast-talking bum. The two adventure together trying to make easy money.

The strengths in this film are the force of character and the portrayal of determination by both Hoffman and Voight's characters. They are driven by a desire to leave the past behind, but the fortunes they seek aren't the fortunes they need. They are men, ill-equipped for life and we see them wallow in the sewers of humanity. The end of the film does give us hope, but not before plunging us into darkness.

Truth: Poverty is a state of mind. Every man requires love and companionship to equip him for life.

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