Showing posts with label Christianity. Show all posts
Showing posts with label Christianity. Show all posts

10.29.2012

The Christians (1977)

 One of my recent interests has been church history. A long standing passion of mine is Christian theology, which is illuminated by church history. Documentarian Bamber Gascoigne produced this 13-part made-for-TV series on the history of Christians. Stylistically, it is marked by the era in which it is made (the 1970s), but the era also impacts the approach that Gascoigne takes in presenting the Christians. In recent decades we have seen the emergence of a rather vocal Christian right in the United States, a steep decline in the practice of Christianity in Europe, and the renewed popularity of atheism and interest in other world religions. This has led to Christianity being looked down upon by the popular culture (I just heard a man singing on the radio about how Christianity makes no sense to him, so he's picking hell - yes, it is ironic). When Gascoigne makes this 11 hour documentary, Christianity is still has a strong western presence and it is treated with respect.

The series begins in first century Jerusalem and follows the gradual geographic, cultural, political, and theological iterations over the next 20 centuries. Mr. Gascoigne narrates throughout and does a remarkable job presenting each major change in Christian culture by highlighting both the remnant architectural and artistic features from each era and the denominational representations from those changes (ie. the Amish are portrayed when speaking about Anabaptist history or Guatemalan Catholics are portrayed to show the colonial missions in Central and South America).

Because of its length, the series ensures that adequate depth is allocated since the breadth of the story is so great.

I highly rate this intricate telling of Christians' story. I would gladly watch the series several more times.

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4.30.2012

Blaise Pascal (1972)

As my son is named after this theologian/philosopher/scientist, a work buddy lent me this made for TV bio-pic, now a part of the Criterion Collection. The production is both elaborate in its sets and costumes, and yet quite simple in its script. The film essentially follows Blaise Pascal from his late teens through to his death giving him opportunity to speak some of his writings out loud and with props. There is little story or character development. In fact the setting draws the viewer in most as we are exposed to Catholic politics, scientific rivalries, provincial taxation, and superstitions.

The movie is slow, but full of Pascal's genius, so it's well worth the 2+ hours of view time.

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The King (2005)

When an illegitimate son suddenly breaks onto the scene of a pastor's family, it is less about him and more about the family's reaction to him that is interesting. The unwelcomed visitor subversively destroys the family, but their initial unwelcome juxtaposed with their zealous southern faith makes for an interesting watch. All in all though, it's pretty tough to make any sense of the fierce violence and the young man's lack of remorse.

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12.23.2011

Edvard Munch (1974)

A great skill was used to develop the film I just watched. It paints the portrait of celebrated and groundbreaking 19th century Norwegian artist Edvard Munch - famous for "The Scream." For three hours and forty minutes we survey scenes from Munch's life filmed as though it were a documentary where the characters are aware of the camera. Some characters are interviewed. Munch's diary is read as it was written, in the third person. And a narrator pronounces the chronology.

Beginning in a Protestant Christian home as a part of the middle class in Norway's capital city, Munch is surrounded by death, illness, and a social order that extorts and mistreats the lowest classes and their children. After losing his mother, he emerges into manhood and begins his rebellion with a group of bohemians who challenge every aspect of their culture. It is here that conflict arises between he and his father, but more strikingly it is where the great theme of his life's work begins: the threads that bond men and women together.

The series of failed relationships cast the learning and altogether rejected artist into a class all his own. He depicts the world in swirling colours, faces with pale and sickly complexions, and fades the sensory organs of his subjects where they meet their lovers.

Edvard Munch gains enormous popularity during his life while being lambasted by nearly all art critics across Europe. Pressing through all of this, Munch advances his new art form: visual psychology.

This is a masterpiece, unlike anything I have ever seen.

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The Corpse Bride (2005)

Brilliant animated feature! What could have been a very dark film is light, refreshing and full of hope - especially if those who are quite put off by the murky depths of the grave simply look at it as a parable (I could include myself in this category sometimes).

Tim Burton leads a troop of puppeteers and stop-motion animators to tell the tale of a Victorian fella named Victor who is betrothed to Victoria (I love it!) only to accidentally wed a corpse as he rehearses his lines in a cemetery. All of the characters - living and dead - give stellar performances and some of the puns are gut splitting hilarious (like when the maggot in the corpse bride's head pops an eye out and says "I'll keep an eye out for him.").

Fighting my dislike of celebrating death and all things spooky, I realized the amazing parallel that we have in Christianity: Christ, the bridegroom, will one day wed his church who's many parts will have been dead and so his bride could be considered a corpse. I think there is some valid parallel here. Some great resurrection images too (the young boy who approaches a walking skeleton, pauses, and then leaps into it's arms shouting "grandpa!").

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Fanny och Alexander (1982)

Fanny and Alexander is one of Ingmar Bergman's most celebrated films. It is the intimate account of a brother and sister born into the aristocracy of 19th century Sweden. The story begins at Christmas time where opulence is exposed as a deep root for the sadness in the family. It carries through a death into the bleak and cheerless world of a bishop's manse. The third chapter of this grand film is punctuated by the surreal inside a Jewish home.

Bergman helps us interpret these worlds through the discerning eyes of children. One does not necessarily leave the film filled with hope making it tough to watch at times. The engaged viewer should finish with more wisdom though, making it quite worthwhile.

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12.19.2011

The Secret of Kells (2009)

This is such a lovely, fresh film that I can't help but give it my full endorsement. The animation is themed after the illuminating art in the Book of Kells - Celtic production of the four Gospels circa 800 AD. The story focuses on an Irish monastery where this special book is being guarded and produced under constant threat of invading clans. A young boy left in the care of the monks is so drawn to the book and also to the forbidden woodlands that his loyalty to the abbot is questioned.

I can't wait to see it again.

Official Site | IMDB

12.16.2011

Hannah and Her Sisters (1986)

Woody Allen's masterpiece! Here we get a sense of the struggle of man without any moral direction juxtaposed with a man searching for eternal answers (albeit comedically, and perhaps facetiously). A man is attracted to his wife's sister. Another sister laments her loneliness and inability to find success at the level of her sisters (in life and love). And finally, Hannah, who lives a virtuous life is being attacked on all fronts because of her virtue - poor thing!

Woody Allen plays Hannah's ex-husband who thinks he's dying and seeks an answer to life's great mystery: Is there life after death and if so, how should I live to best situate myself?

Quite an enjoyable film.

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12.15.2011

Get Low (2009)

What a pleasing film experience is Get Low! Robert Duvall and Bill Murray give tremendous performances, fleshing out a glorious and tragic story.

Felix Bush, a fearsome hermit, seeks the assistance of a funeral parlour in order to throw a funeral party for himself while he is still alive. The reason for the odd request is sought out and the film concludes with an emotional hush.

Official Site | IMDB

Nollywood Babylon (2008)

The makers of this documentary display a two pronged story pairing the burgeoning low budget high profit film industry in Nigeria with the prosperity gospel being preached in Nigerian mega churches. It is a fascinating look at what are often one dimensional issues.

We learn of how the video industry started and it's relationship to animist witchcraft and then we follow it is being used to promote Charismatic Christian values such as how to get rich and famous by making movies.

Official Site | IMDB

12.13.2011

Prestuplenie i nakazanie (1970)

This Russian adaptation of Dostoevsky's Crime and Punishment paces itself like the book, taking ample time inside protagonist Rodya Raskolnikov's head. It is done in black and white and the lack of colour adds the only other real joyless feature to the film beyond the glorious performances by the actors - who are unknown to the west.

Raskolnikov is pained by the conflict of his philosophical conclusion, that great men can accomplish whatever they like and should live without guilt and with impunity by virtue of the fact that they are great! He can not justify his philosophy because in his mind he himself is greater than his ignorant peers, but he and his mother and sister live in abject poverty. He decides to live out his philosophy by murdering a pawn broker, someone he views as a leech of society. The story plays out from here demonstrating his struggle to mute his conscience.

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11.08.2011

Reparando (2010)

This Christian documentary takes a politically and spiritually informed look at the trauma-induced poverty in Guatemalan slums. As a former resident of Guatemala, the stories were familiar and the history still heart breaking.

The film recounts the stories of some dedicated people working towards restoring their communities one person at a time. A well produced film by a small group of independents.

Official Site | IMDB

3.28.2011

Så som i himmelen (2004)

This Swedish film, As it is in Heaven, is one of the most beautiful stories of restoration and sacrifice I have ever been told.


A famous classical musician returns to his boyhood home when his health diminishes. Though he seeks solitude and an opportunity to enjoy the natural world, he is seduced into leading the local tiny church choir. As the choir develops, the town is changed.

The final seconds of the film are perhaps the most poignant and subtle moments of any film. I loved it! I shouldn't have lost the Academy Award to The Sea Inside.

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The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Again, Disney surprises me with a compelling, though made for children, retelling of a Narnia book.


The two youngest Pevensie kids, a bit older than before, and their "better than everyone else" cousin Eustace are magically transported to Narnia. They become part of an expedition with King Caspian and Reepicheep seeking seven lost lords. Their adventures build their character by testing them with temptations which they must resist.

The most impressive line in the film came towards the end when Aslan is speaking with Lucy. She asks him if she will ever see him again and he replies that the reason she was brought to Narnia was so that she might know him and know him in her world where he is known by another name.

Official Site | IMDB

Into Great Silence (2005)

This really long documentary isn't entirely silent. For a few minutes the monks are sitting on a patio and chatting, but yeah, aside from that, pretty quiet...


I enjoyed it, but it was more experiential than expository. I like the notion of work in the film.

2.20.2011

The Last Temptation of Christ (1988)

Despite the disclaimer at the beginning of the film stating that this film is not based on the gospels, it begs the question: What is this film based on then?


I was both blessed and challenged by the closing 45 minutes of the film where Christ is tempted to withdraw from the cross and enjoy a human life and his ultimate decision not to. The opening two hours were more of an insult to the Christian faith than anything, not because the filmmakers were meaning harm, but because of the shallowness of the screenwriter's understanding of Jesus' message, life and death.

I remember the controversy when this film was released. I've always been intrigued by the concept and, being a Christian, felt it was my duty to give Scorsese and company the benefit of the doubt. But, John the Baptist is depicted as a hippy nudist colony leader and Jesus as a neurotic demoniac. I appreciate that Christ's humanity was emphasized, but his holiness was ignored.

I found it odd too that the North African culture was so prominently displayed rather than attempting to portray anything remotely Hebrew.

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How the Grinch Stole Christmas! (1966)

A glorious classic! My favourite part is when the Grinch's dog is hanging over the cliff. In fact the dog is my favourite character.


True worship, true love, true community can transform even the greediest people.

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2.07.2011

The Blind Side (2009)

A bit heavy on the sap, but considering the true story it's based on, a pleasantly passionate retelling. The Christian element of sacrifice and love seemed secondary to the grave class division - a dire consequence of Christianity gone amiss in the United States. Again, I did enjoy the film and I was moved by the compassion.

Official Site | IMDB

8.23.2010

The Young Victoria (2009)

A British period piece that doesn't suck! It is even successfully romantic and political at the same time.


One of the most powerful and influential monarchs in history faces pressure from all sides as she begins her reign over the British Empire. Her mother's husband desires to be her regent until she is older. The charming prime minister wishes to influence her towards his party to the benefit of himself. As she seeks her own path, she fends off suitors from the continent.

The power in the film is the style and honesty brought out. There is much more subtlety than we usually get (Elizabeth: The Golden Age is not nuanced for example). This is a masterpiece.

Official Site | IMDB

Gifted Hands: The Ben Carson Story (2009)

This TV movie tells the very inspiring story of Ben Carson. I read his autobiography when I was a kid so I thought I'd see how they did putting it into a film.


The film bounces back and forth between Dr. Carson who is the pre-eminent pediatric neurosurgeon in the world and young Benny who is failing at school and has a serious struggle with anger. Dr. Carson has to find a solution in order to separate conjoined twins at the head. Benny struggles without a father and is encouraged by his illiterate mother.

The movie is a tad melodramatic, but it does tell the story very well and you can't help being transformed by the end.